Traditional, lacquer based kintsugi, Momoyama period vase kintsugi, applying sabi

This video shows  applying sabi to a very narrow, masked off scar. The pieces of paper on the bottom and top of the vase are so that the  masked area won’t contact any surfaces when I place the piece in the muro.

For more on traditional, lacquer based kintsugi see kintugi.com or https://www.kintugi.com/?page_id=225

 

Traditional, lacquer based kintsugi, Momoyama period vase kintsugi, applying thinned lacquer

This video shows mixing and applying thinned lacquer to a very narrow, masked off scar.  I mixed good turpentine into lacquer with a palette knife and then applied it with a brush.  I have the area masked so when I get to the later stages my cleanup is less and to lower the chance of scratching the surface.

For more on traditional, lacquer based kintsugi see kintugi.com or https://www.kintugi.com/?page_id=225

 

Traditional, lacquer based kintsugi, Momoyama period vase kintsugi repair

This is a Bizen fired vase from about the year 1600.  It has a crack which doesn’t go all the way through, the vase doesn’t leak.  Instead of completing the break which is usually my first choice I am going to fill it in with sabi. First I have slightly widened the crack with a diamond file and then masked the crack with tape.  Next I will apply lacquer that has been thinned with oil of turpentine so the lacquer will flow into the deepest parts of the crack.

For more on traditional, lacquer based kintsugi see kintugi.com or https://www.kintugi.com/?page_id=225

Momoyama period vase kintsugi repair
Momoyama period vase kintsugi repair
Momoyama period vase kintsugi repair
Momoyama period vase kintsugi repair
Momoyama period vase kintsugi repair
Momoyama period vase kintsugi repair
Momoyama period vase kintsugi repair
Momoyama period vase kintsugi repair