This video shows kintsugi keshifun gold Step #2B. It is the second application of metal, gold, to the seam of lacquer.
Kintsugi workshop video, Step 2A, keshifun, application of gold powder, first time
Here is the next stage of keshifun kintsugi.
Kintsugi workshop video, Step 2, keshifun, application and thinning of red lacquer
Antique lacquer repair, kamabori, carved lacquer, second post
Here is a video of the next stage of the repair.
Kintsugi workshop video, step #3, application of jozuri 2nd. time
This video shows kintsugi gold Step #3. It is the second application of jozuri. This is the final step of pre-polishing for graded metal. It is possible and sometimes necessary to do another application of jozuri, it depends on how well your previous applications covered the metal.
Kintsugi workshop video, step #2, application of jozuri 1st. time
This is the first application of jozuri. You apply jozuri in order to ‘harden’ the metal in preparation of sanding or polishing it to a finished brilliance.
Antique lacquer repair, Kamakura bori, carved lacquer
This is something I am doing as a learning project with a teacher who studied makie.
The carved lacquer has come off this very old whisk. The whisk itself dates to at least the Edo period but since it is damaged no one wanted it at the antiques auction I picked it up at.
The first step was to remove all the loose lacquer and then to apply a middle black in order to stabilize the remaining lacquer.
Kintsugi workshop video, step #5, polishing of #3 gold to #2000
This is the next step in this kintsugi workshop series. This video shows the initial polishing of #3 gold.
Kintsugi workshop video, application of #3 gold, step 1B
Here is the next step in the application of kintsugi #3 gold. This video shows the second application of gold.
Kintsugi workshop video, application of #3 gold, step 1A
Here is the next step in using kintsugi #3 gold.