Here are 2 projects I am working on right now. One is glass, the other is a fiber, wood like mask.





Here are some photos of the just finished traditional, lacquer based kintsugi workshop held in Glane, Switzerland.




This video shows the process for making a drying box for lacquer, a muro. It took about 5 minutes to do so even with a break in the video to go get a vacuum cleaner.
For more on traditional, lacquer based kintsugi see kintugi.com
This video shows the second half of polishing of #2 silver on wood. I start out with abura tokoko, go to 3 different meshes of liquid compound, and they go to ishiko. Step 5 refers to this page, https://zac.wnz.mybluehost.me/website_a640e8d6/?page_id=225
This video shows polishing of #2 silver on wood to mesh #3000. It goes from #2000 and then to #3000. To get to the final polish there are about 9 steps to go.
Step 5 refers to this page, https://zac.wnz.mybluehost.me/website_a640e8d6/?page_id=225
There is no audio in this video. It shows step #3, second application of jozuri lacquer over silver as a step in the process of finishing graded metal. Step #2 refers to this page, https://zac.wnz.mybluehost.me/website_a640e8d6/?page_id=225
There is no audio in this video. It shows step #2, first application of jozuri lacquer over silver as a step in the process of finishing graded metal. Step #2 refers to this page, https://zac.wnz.mybluehost.me/website_a640e8d6/?page_id=225
This video has no audio. It shows part of step 10B, applying gold the second time using mawata. For more on traditional, lacquer based kintsugi see kintugi.com
This video has no audio. It shows part of step 10 keshifun gold over red lacquer. The whole process took about 1.5 hours. Things to note. The shape slopes out and the surface tends to swallow the gold. For that reason I used the brush dipped into the powder instead of tapping it onto the surface. If I had tapped the material onto the surface I would have used much more than I ended up using. As much as possible keep the angle of the brush acute so as to not get lacquer onto the bristles. For more on traditional, lacquer based kintsugi see kintugi.com