This video shows applying middle lacquer to a creamer.
For more on traditional, lacquer based kintsugi see kintugi.com
Traditional, lacquer based kintsugi, applying sabi to a Buddhist figure.
This video shows applying sabi to a Buddhist figure.
For more on traditional, lacquer based kintsugi see kintugi.com
Traditional, lacquer based kintsugi, applying sabi to tsa tsa.
This video shows applying sabi to tsa tsa.
For more on traditional, lacquer based kintsugi see kintugi.com
Traditional, lacquer based kintsugi, applying sabi.
This video shows applying more sabi.
For more on traditional, lacquer based kintsugi see kintugi.com
Traditional, lacquer based kintsugi, sabi sanding and shaping
This video shows second sabi sanding and shaping.
For more on traditional, lacquer based kintsugi see kintugi.com
Traditional, lacquer based kintsugi, sabi application
This video shows second sabi application.
For more on traditional, lacquer based kintsugi see kintugi.com
Traditional, lacquer based kintsugi, reconstruction planning
This video shows reconstruction planning for a tsa-tsa figure.
For more on traditional, lacquer based kintsugi see kintugi.com
https://rumble.com/embed/v1b0h2p/?pub=eeayx
Traditional, lacquer based kintsugi, first step in restoring a tsa-tsa figure.
This video shows planning on how to do reconstruction on a tsa-tsa figure. This is the third attempt to make the insert for the reconstruction.
For more on traditional, lacquer based kintsugi see kintugi.com
Traditional, lacquer based kintsugi, first step in restoring a tsa-tsa figure.
This video shows the first step in restoring a tsa-tsa figure. The figure is very unusual in that it has a lot of varied pigment on it. It is tea cutting season here and the background noise is tea cutting machines.
For more on traditional, lacquer based kintsugi see kintugi.com
Traditional, lacquer based kintsugi, applying gold to pitcher, angle 2
This video shows a second angle of applying gold to a pitcher. I have already applied lacquer which I didn’t take a video of, it is too difficult to get a good line holding the piece for the camera..
For more on traditional, lacquer based kintsugi see kintugi.com