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Materials in kintsugi, red lacquer.

Red lacquer is a refined lacquer, much more so than basic lacquer. It is about 75% urushiol compared to basic having about 60%. The water content is about 15%, compared to about 30% for basic. The urushiol contains an enzyme called laccase which is the catylist for converting the lacquer into a natural polymer, combining with oxygen in the humid and warm air of a drying box. If the temperature is too warm the laccase will ‘die’ and the lacquer won’t cure.
95% of the lacquer used in Japan is manufactured in China. Japanese made lacquer is of a much higher quality and is far more expensive than Chinese, at least double the price, often times 4 times more expensive.
Lacquer is a difficult and complicated medium to use and understand. In addition to different names for the same lacquer there are regional names used along with names that differ for the same lacquer depending on the trade it is used in. I know of at least 64 different types of lacquer and of those 15 are basic types.

Red lacquer is used in kintsugi for a substrate for metal. It is a good quality lacquer that can be polished out to a high sheen and is harder than middle lacquers.

Red lacquer (1)

Red lacquer (2)

Materials in kintsugi, kiurushi, basic lacquer.

Kiurushi, basic lacquer.
Basic lacquer has many names, one is kiurushi. It is about 60% urushiol, the active ingredient that is responsible for both the skin reaction some people experience and contains the enzymes that are active in the 25C-38C temperature band along with at least 75% humidity to form a natural polymer. Lacquer is collected from 10 – 20 year old lacquer trees that are tapped once with part of the processing involving cutting down the tree. That is to say, lacquer comes from a tree that is only good for 1 tapping and then cut down, yielding about 200 cc of liquid. Kiurushi is that liquid with the only processing being that it is stirred and slightly heated.
It is possible to only use kiurushi for all the steps of kintsugi excepting advanced metal work.

Below is the general description of basic lacquer.
There are several types of lacquer you use in kintsugi. This post is on the basic lacquer called kiurushi. Kiurushi is used in most of the basic steps of kintsugi. For sticking pieces back together you mix it with flour or rice, to do fill work or to do restorations you use it and mix it with either jinoko or tonoko to make a mixture called sabi. If you are doing a repair such as fixing a blistered glaze you would use this lacquer too. I don’t use wood powder but if you did you would mix it with kiurushi. It comes out of the tube a brown milky color and as it drys it turns black or a very dark brown. It can cause skin rashes but doesn’t seem to do so with everyone. I get rashes but most of the people I have had in workshops have never gotten a rash despite having direct contact with it. Like all real lacquers it requires a damp and warm environment to dry properly, it won’t usually cure in a normal environment.

kiurushi kintsugi
kiurushi kintsugi After drying about 15 minutes
kiurushi kintsugi
kiurushi kintsugi
kiurushi kintsugi
kiurushi kintsugi
kiurushi kintsugi
kiurushi kintsugi Right out of the tube

Traditional Kintsugi, sanding

There is no audio in this video. This handle is almost ready for gold. I am doing sanding before doing some fine tuning and then the red lacquer for gold.

Here are a couple of photos of the road to this point. The core is wood.

Traditional, lacqwuer based kintsugi, Cup handle restoration.
Traditional, lacqwuer based kintsugi, Cup handle restoration. Traditional, lacqwuer based kintsugi, Cup handle restoration.
Traditional, lacqwuer based kintsugi, Cup handle restoration.
Traditional, lacqwuer based kintsugi, Cup handle restoration.

Traditional kintsugi workshops, Switzerland

July 9, 10, 11, 2018, Chapelle, Glâne, Switzerland, 3 day workshop. The address is Imp. Notre-Dame 29, 1608 Chapelle (glâne)
https://www.google.co.jp/maps/place/Impasse+Notre+Dame+29,+1608+Chapelle+(Gl%C3%A2ne),+Switzerland/@46.5870582,6.8358477,17z/data=!3m1!4b1!4m5!3m4!1s0x478e8035d704603d:0x15b3fe61e7be6a08!8m2!3d46.5870582!4d6.8380364
Oron-la-ville is a place close by that has rooms to stay.

Impasse Notre Dame
Impasse Notre Dame

July 13 through to 24th, 2018, no class on Sundays. Chapelle, Glâne, Switzerland, 10 day workshop. The address is Imp. Notre-Dame 29, 1608 Chapelle (glâne)
https://www.google.co.jp/maps/place/Impasse+Notre+Dame+29,+1608+Chapelle+(Gl%C3%A2ne),+Switzerland/@46.5870582,6.8358477,17z/data=!3m1!4b1!4m5!3m4!1s0x478e8035d704603d:0x15b3fe61e7be6a08!8m2!3d46.5870582!4d6.8380364
Oron-la-ville is a place close by that has rooms to stay.

Kintsugi workshop, traditional, lacquer based workshop, Nara, Japan.

Nara, Japan, May 5th. to May 19th. 2018 10 day traditional, lacquer based kintsugi workshop. This workshop will meet May 5th. through the 7th. May 8th. and 9th. will be breaks, meet from May 10th. through the 12th. May 13th., 14th. and 15th. will be breaks, and then meet May 16th. though the 19th. Intermediate/advanced workshop. There are 4 seats left in this workshop